Home
Business
Metro
Nation
World
Sports
Feature
Opinion
View more »Opinion Columns
Wan LixinOpinion deputy editor of Shanghai Daily
In search of history to inspire rural rejuvenation
New thinking needed in tackling our water issues
Sunday
- Subscribe
Hermit artist shares his ‘quiet fervency’
Print Edition
Aritst Tian Xuesen has earned his reputation for his Huashan Mountain oil painting series, but he is more than that.
An exhibition looking back on the painter’s art over the past 20 years is in full swing at the Shanghai Powerlong Museum. Ranging from portraits to landscapes sketches and his current sole subject Huashan, the paintings on display can be seen as a quick glimpse into Tian’s art career.
His works in early years were mainly countryside landscapes and city scenes. In bold colors and simple lines, those farms, streets and parks under Tian’s brushes were full of vitality in exaggeration, showing the trace of influence by van Gogh.
In the early 2000s, Tian ventured onto the Tibetan Plateau to get inspiration from nature. The blue sky, white clouds and fragrant wild flowers helped him find inner peace. When he lay on the grass of the untrodden plateau, the artist felt what he later called “quiet fervency.”
He followed the footstep of French painter Balthus (1908-2001) to lead a lonely hermit life, and tried portraits of big color blocks.
In 2007, finding himself stuck in with artist’s block, Tian left a will and hit on the road to the west along China’s border to seek escape and inspiration.
The 40,000-kilometer, one-year odyssey helped him find his muse — mystical Huashan Mountain in Shaanxi Province.
“It’s powerful and vigorous, a symbol of manhood and aggression,” he said. The mountain is a popular subject in traditional Chinese ink painting, but is seldom portrayed in Western oil paintings.
Tian chose an art way few people tread.
His works reveal the mountain in morning light, sunset glow, winter snow and in spring lushness.
It is somewhat reminiscent of Cezanne’s series of paintings of Mont Sainte-Victoire in different seasons and different lights.
Huashan, under Tian’s brush, reflects different moods, sometimes powerful and solemn, sometimes gentle and blithe.
“I will be probably painting the mountain as my sole subject to the end,” Tian said. “One’s energy is limited, and I will dedicate all my energy to it.”
Date: Through April 25 (closed on Mondays), 10am-6pm
Tickets: 30 yuan
Venue: Shanghai Powerlong Museum
Address: 3055 Caobao Road
- About Us
- |
- Terms of Use
- |
-
RSS - |
- Privacy Policy
- |
- Contact Us
- |
- Shanghai Call Center: 962288
- |
- Tip-off hotline: 52920043
- 沪ICP证：沪ICP备05050403号-1
- |
- 互联网新闻信息服务许可证：31120180004
- |
- 网络视听许可证：0909346
- |
- 广播电视节目制作许可证：沪字第354号
- |
- 增值电信业务经营许可证：沪B2-20120012
Copyright © 1999- Shanghai Daily. All rights reserved.Preferably viewed with Internet Explorer 8 or newer browsers.
