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鈥楾rainspotting鈥 not usual junkie flick
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DANNY Boyle directed the opening ceremonies of the London 2012 Olympic Games and the feel-good flick “Slumdog Millionaire” — but before that, he directed “Trainspotting,” a film about heroin use. His work is quite different, but what is consistent is Boyle’s brilliant use of story to dictate the style of his project at hand.
For “Trainspotting,” Boyle utilizes a mix of squalor and surrealism to convey the concrete realities and malleable unreality of a drugged state. It more than compensates for its low budget with a dizzying array of camera lenses, Dutch angles and quick edits. Taking drugs isn’t necessary to appreciate this movie because it conveys a non-sober perspective very well.
This can be horrifying, such as when McGregor imagines a dead baby crawling on the ceiling, but there’s also a romanticism to it. Like when a magical-realist describes a horrifying dragon. Who wouldn’t want to see a giant lizard fly?
It’s a daring move. Other movies that chronicle heroin addiction, such as the early Leonardo DiCaprio vehicle “Basketball Diaries” or the Jared Leto movie “Requiem for a Dream,” take great pains to show how nasty it is. “Trainspotting” takes a more subtle approach that is more satisfying.
“Trainspotting” is explicit: For the characters, the destructive use of heroin is the greatest feeling in the world. This is a daring — and troubling — thing to express. But it creates a true conflict of interest instead of the usual downward spiral narrative.
Venue: The Pearl, 471 Zhapu Rd
When: Tomorrow, 9pm
Admission: Free
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