Snow White no damsel in distress
By Christy Lemire |
June 10, 2012, Sunday
|
Print Edition
Print Edition
ASTONISHINGLY beautiful and breathtaking in its brutal imagery, "Snow White & the Huntsman" is thrilling and frightening in equal measure, yet as bereft of satisfying substance as a poisoned apple.
Rupert Sanders' revisionist take on the classic Brothers Grimm fable, the first feature from the respected British commercial director, upends expectations of traditional gender roles while embracing what a fairy tale should be. It's dark and dangerous, vicious and violent. Yes, there are dwarves and furry woodland creatures but more often, death is a constant threat.
And yet the performances - notably from Kristen Stewart (above) as the iconic title character - don't always live up to the film's visionary promise. First, there's the problem of casting anyone who's supposed to be fairer than Charlize Theron (insert) as the evil queen. But beyond Stewart's distractingly inconsistent British accent, she simply lacks the presence to serve as a convincing warrior princess. She's too slight, her Snow White seems too reticent and insecure as she leads her minions into battle, and she still relies on all those Bella Swan tics that define her performances in the "Twilight" movies: the sulking and sighing, the skittish side glances.
Theron, at the opposite end of the spectrum, tends to get too screechy; with her imposing height, deep voice and mesmerizing beauty, she's far more powerful when she dials it down. She's long been willing to play deeply flawed and even cruel characters, but here she gets downright campy at times. Still, she is always a startling vision to behold in Oscar-winning costume designer Colleen Atwood's dramatic, intricate dresses and crowns.
The look and the energy of "Snow White & the Huntsman" are what keep it engaging, if a bit overlong.
Theron, as the magical and manipulative Ravenna, has married (and quickly killed) the widower king, locked his daughter Snow White in a tower and plunged a once-peaceful realm into a wasteland of misery and strife. Once Snow comes of age and earns her fairest-of-them-all status, Ravenna's power is threatened, and nothing short of eating the princess' heart will sustain her.
This sets the film's chase in motion: Snow White escapes, and Ravenna hires a veteran huntsman (Chris Hemsworth) to track her down in the treacherous Dark Forest. But instead, this tormented soul ends up becoming her reluctant protector, so Ravenna sends in another team of bad guys. Hemsworth, the hunky "Thor" star, continues to solidify his intriguing screen presence; he's got the looks and swagger of a bigger, bulkier Brad Pitt but also gets to show off his vulnerability and even some comic timing.
And laughs are hard to find around here, which is why it's so surprising to see our old friends the dwarves show up. They are scoundrels and thieves making mischief in the forest.
Rupert Sanders' revisionist take on the classic Brothers Grimm fable, the first feature from the respected British commercial director, upends expectations of traditional gender roles while embracing what a fairy tale should be. It's dark and dangerous, vicious and violent. Yes, there are dwarves and furry woodland creatures but more often, death is a constant threat.
And yet the performances - notably from Kristen Stewart (above) as the iconic title character - don't always live up to the film's visionary promise. First, there's the problem of casting anyone who's supposed to be fairer than Charlize Theron (insert) as the evil queen. But beyond Stewart's distractingly inconsistent British accent, she simply lacks the presence to serve as a convincing warrior princess. She's too slight, her Snow White seems too reticent and insecure as she leads her minions into battle, and she still relies on all those Bella Swan tics that define her performances in the "Twilight" movies: the sulking and sighing, the skittish side glances.
Theron, at the opposite end of the spectrum, tends to get too screechy; with her imposing height, deep voice and mesmerizing beauty, she's far more powerful when she dials it down. She's long been willing to play deeply flawed and even cruel characters, but here she gets downright campy at times. Still, she is always a startling vision to behold in Oscar-winning costume designer Colleen Atwood's dramatic, intricate dresses and crowns.
The look and the energy of "Snow White & the Huntsman" are what keep it engaging, if a bit overlong.
Theron, as the magical and manipulative Ravenna, has married (and quickly killed) the widower king, locked his daughter Snow White in a tower and plunged a once-peaceful realm into a wasteland of misery and strife. Once Snow comes of age and earns her fairest-of-them-all status, Ravenna's power is threatened, and nothing short of eating the princess' heart will sustain her.
This sets the film's chase in motion: Snow White escapes, and Ravenna hires a veteran huntsman (Chris Hemsworth) to track her down in the treacherous Dark Forest. But instead, this tormented soul ends up becoming her reluctant protector, so Ravenna sends in another team of bad guys. Hemsworth, the hunky "Thor" star, continues to solidify his intriguing screen presence; he's got the looks and swagger of a bigger, bulkier Brad Pitt but also gets to show off his vulnerability and even some comic timing.
And laughs are hard to find around here, which is why it's so surprising to see our old friends the dwarves show up. They are scoundrels and thieves making mischief in the forest.
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