Nobel Prize for Literature goes to Belarussian for 鈥榤onumental鈥 work
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BELARUSSIAN author Svetlana Alexievich has won the Nobel Prize for Literature for her portrayal of life in the former Soviet Union, which the Swedish Academy said was “a monument to suffering and courage in our time.”
Alexievich’s work also includes chronicles of the lives of Soviet women during World War II, the consequences of the 1986 nuclear disaster in Chernobyl and the Russian war in Afghanistan told from the perspective of ordinary citizens.
She collected hundreds of interviews of people impacted by these tumultuous events, putting them together in works that the academy said were like a “musical composition.”
“By means of her extraordinary method — a carefully composed collage of human voices — Alexievich deepens our comprehension of an entire era,” the academy said yesterday in awarding the 8 million crown (US$972,000) prize.
Alexievich said she felt “personal joy” at receiving the Nobel prize for literature, dedicating the award to her ex-Soviet homeland.
“It’s not an award for me but for our culture, for our small country, which has been caught in a grinder throughout history,” she told journalists at a press conference in Minsk.
Alexievich said the prize would enable her to devote herself to two new writing projects.
“For money I can buy one thing, I buy freedom. I take a very long time to write my books — from five to 10 years,” she told Swedish television after the prize announcement.
“I have new ideas for two new books, so I am glad that I will be free now to work on them.”
Born in 1948 in Ukraine, Alexievich worked as a teacher and a journalist after finishing school. She lived in exile abroad for many years, including in Sweden, Germany and France, due to her criticism of the Belarus government.
“Real people speak in my books about the main events of the age such as the war, the Chernobyl disaster, and the downfall of a great empire,” she said in a biographical text published on her website.
“But I don’t just record a dry history of events and facts, I’m writing a history of human feelings.”
Her books include “Voices from Chernobyl — Chronicle of the Future,” and “Zinky Boys — Soviet voices from a forgotten war,” a portrayal of the Soviet Union’s war in Afghanistan.
Alexievich’s documentary style of writing first became popular in the former Soviet Union in the 1980s.
However, she has long been an uncomfortable writer for the authorities due to her humanistic, emotional tales of peoples’ fates entangled in major historic developments.
One of her best-known works is “War’s Unwomanly Face,” which took several years to get published as authorities in the Soviet Union saw it as subversive and undermining the myth of the Soviet army’s victory in World War II.
In the book, Alexievich offers an unusual account of the war, moving away from military narrative and telling the tales of Soviet women who took on male roles, fought on the front lines, killed and got killed, but still looked at the shattered world around them from a feminine perspective, focusing on human suffering and basic emotions free of any pathos.
“She has invented a new literary genre. She transcends journalistic formats and has pressed ahead with a genre that others have helped create,” said Sara Danius, permanent secretary of the Swedish Academy.
“It’s more or less like a musical composition, so that in the end you have something like a vast chorus.”
Literature was the fourth of this year’s Nobel prizes.
The prizes are named after dynamite inventor Alfred Nobel and has been awarded since 1901 for achievements in science, literature and peace in accordance with his will.
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