Venice festival opens with brilliant superhero film
Print Edition
THE Venice film festival opened with a bang yesterday with a brilliant superhero dark comedy that delves into the cinema and theater worlds to explore the drug that is fame.
The first flick to compete at the world’s oldest film festival, Mexican director Alejandro Gonzalez Inarritu’s “Birdman or the Unexpected Virtue of Ignorance,” stars Michael Keaton of “Beetlejuice” and “Batman” fame.
In one of 20 films vying for the coveted Golden Lion award, Keaton plays a washed-up actor who was once famous for playing the “Birdman” superhero but is now struggling to stage a Broadway play in a bid to regain his former glory.
For all his attempts to create a worthy on-stage performance, he finds it increasingly difficult to leave the “Birdman” character behind, hearing his rich, gravelly tones in his head, calling for a return to the big screen.
The line between fiction and reality blurs as Keaton’s character Riggan struggles to keep his superpowers under control and allows his self-pity and arrogance to distract him from serious family and girlfriend problems.
Keaton said he was not haunted by his “Batman” films — but that everyone is by their own personal “Birdman.”
“I love the idea of Birdman following you around. You all got a Birdman in your life, it’s your negative ego, so you either make peace with him or kick his ares or make him sit in the back seat, but you have to drive a car,” he said.
Crowd-pleaser Gonzalez Inarritu, best known for his films “21 Grams” and “Babel,” brought on board other superhero veterans for the movie, including Emma Stone from “The Amazing Spiderman” and Edward Norton, star of “The Incredible Hulk.”
“After so many films, dramatic films that in a way has a lot of enchiladas and spicy mexican chilli, I wanted a little dessert!” Gonzalez Inarritu told a press conference on Lido island.
“I wanted to go away from my comfort zone and jump into something that I really wanted... to laugh on set!” he said, while admitting that one of the biggest challenges was shooting the action in a series of long takes.
The in-competition lineup features Iranian director Rakhshan Bani-Etemad’s drama “Tales” and French comedy “La Rancon de la Gloire” by Xavier Beauvois today.
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