‘I only want to focus on what I like doing’
Print Edition
DIRECTOR Teng Huatao’s determined character is probably the reason why he is known as one of the most prominent directors in China today. In town as a judge for the Mobile Movie Festival as part of the Shanghai International Film Festival, Teng made his fame throughout China with his television dramas “Dwelling Narrowness” (2009), “Naked Wedding” (2011) and movie “Love is not Blind” (2011).
Many of Teng’s past works attempt to reflect Chinese society. “In the period from the year 2000 to 2006, China was developing extremely quickly particularly in the cities,” explains Teng. “Wealth came quickly for some, but for most they lost more (intangibles). Because of this, many began to have conflicting perceptions of value with others around them.” Now, this director famous for his highly relatable films that resonated with audiences is ready to take a step toward other story lines that may be more on the commercial side. “Perhaps comedies, sci-fi films, or even kungfu might be next,” said Teng. “It’s been many years since I first began looking at films that resonate with societal happenings. It is time for a change.”
Teng’s passion with directing films came while he was still studying at the Beijing Film Academy.
“I was learning script writing because I liked movies. But gradually I realized that the art of directing was something that could more accurately express what I want to convey through images and voice,” Teng recalled of his decision. “With this in mind, I decided to work toward becoming a director.” After graduation in 1995, Teng stepped into the industry and never looked back. “I love movies, and I still do,” said Teng. “I really do love what I do.”
When talking about the Chinese film industry, Teng has his own principles and ideas. “I do not understand why many in the Chinese film industry wish to imitate Hollywood,” Teng commented, “We do not need films to make large sales or to reap successful results at the box office to know it is what we wanted to do. As a director, I only want to focus on what I like doing. Moreover only Hollywood has the funds and mature industry to do what is required of those commercial films set for international audiences.”
Teng’s opinion is that the film industry is developing very quickly at the moment, and perhaps this is “where the messiness sets in.” “Perhaps it will be better when growth is stabilized,” Teng mused. “But one thing is certain, and that is the Chinese are also interested in watching movies now, something that was much less prominent say, 10 years ago.”
“I’ll be looking beyond portraying emotions and love from now on,” Teng said, “Not just society, but as a director I need change (to my stories) too.”
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