Marianne Faithfull reads poetry as COVID robs her of her song
Iconic British artist Marianne Faithfull fears she may never sing again after a brutal dose of COVID-19 last year, but a new album of poetry set to music has given her a beautiful outlet.
The 74-year-old spoke by phone from her home in London, but sounded even further away, her voice heavy with fatigue.
鈥淚 caught it really badly and nearly died and now I鈥檝e got what they call long-term COVID,鈥 she said.
鈥淚t鈥檚 not the virus but it certainly feels like it. It鈥檚 in my lungs so I can鈥檛 talk for very long.鈥
Asked if she will sing again, she is saddened: 鈥淒arling, I don鈥檛 know. I hope I can. I do singing practice once a week. A friend comes over and plays my lovely guitar and I practice.鈥
鈥淚t鈥檚 an awful thought,鈥 she added. 鈥淲hatever happens, I can鈥檛 change it.鈥
But far from defeated, she has spent the past few months completing an album begun before the pandemic.
It features her reading some of her favorite poetry 鈥 Byron, Shelley, Keats and other 19th century romantics 鈥 with backing music from an all-star cast that includes Warren Ellis, Nick Cave and Brian Eno.
It was Cave that suggested 鈥淪he Walks In Beauty鈥 as a title. She had wanted a different line from Byron 鈥 鈥淪o We鈥檒l Go No More a Roving鈥 鈥 鈥渂ut Nick thought that was a bit negative,鈥 she said with a laugh.
She seems genuinely surprised that the album has worked out so well.
鈥淲arren and I listened to quite a few records that people have made with poetry and music behind them, and most of them are awful. It鈥檚 quite hard to do it right. We were very lucky,鈥 she said.
The poems have been close to her heart since her schooldays in 1950s England, for which she thanks a Mrs Simpson, one of the only teachers at her convent school who was not a nun.
That was before her famous entry into Swinging Sixties鈥 London, spotted at a party by the manager of the Rolling Stones and becoming a muse to Mick Jagger, with all the sexist baggage that came along with that status.
She enjoyed the highs of sudden fame and fortune, but also deep lows of drug addiction and homelessness, and emerged on the other side with tales to tell.
She built a long career with more than 20 albums to her name, including the landmark 鈥淏roken English鈥 from 1979 that has become a touchstone for dark, orchestral pop, ensuring a steady stream of younger artists keen to work with her, including PJ Harvey, Jarvis Cocker and Beck.
Ever the survivor, she faced her hardest trial yet with the pandemic that nearly took her life last year, but she pushed through and managed to record the album at a distance.
鈥淚t was not as hard as I thought it would be,鈥 she said.
鈥淏ut it was a bit of a problem. When you鈥檙e in the studio together you can tell a lot about what people are thinking from their body language. We didn鈥檛 have that at all. It鈥檚 incredibly lucky that it turned out as well as it did,鈥 she said.
Though she worries about losing her singing ability for good, perhaps the poetry offers a way forward. Would she consider a French version, in memory of the many years she spent in Paris?
鈥淚鈥檇 love to do Baudelaire, Rimbaud, but I don鈥檛 speak French well enough. I鈥檒l have to think about it...鈥 she said.
- About Us
- |
- Terms of Use
- |
-
RSS
- |
- Privacy Policy
- |
- Contact Us
- |
- Shanghai Call Center: 962288
- |
- Tip-off hotline: 52920043
- 娌狪CP璇侊細娌狪CP澶05050403鍙-1
- |
- 浜掕仈缃戞柊闂讳俊鎭湇鍔¤鍙瘉锛31120180004
- |
- 缃戠粶瑙嗗惉璁稿彲璇侊細0909346
- |
- 骞挎挱鐢佃鑺傜洰鍒朵綔璁稿彲璇侊細娌瓧绗354鍙
- |
- 澧炲肩數淇′笟鍔$粡钀ヨ鍙瘉锛氭勃B2-20120012
Copyright 漏 1999- Shanghai Daily. All rights reserved.Preferably viewed with Internet Explorer 8 or newer browsers.