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Artist blends elements of Chinese and Western art in a unique style
Print Edition
Realistic symbols under the brushstrokes make it relatively easy to depict Chinese tradition and culture. However, as the language of art becomes abstract, it demands a thorough understanding from the artist.
鈥淔rom Mawangdui to Shanshui Fu: Gu Liming鈥檚 Artistic Language Transformation,鈥 an exhibition at Bund 18 Jiushi Art Gallery, displays a collection of representative works of the artist dating back to the 1980s.
The exhibition is divided into four sections, with approximately 80 pieces of artwork embracing diverse forms of expression such as canvas, watercolor, printmaking, ceramics, mixed media and installation.
Gu, who was born in Weifang, east China鈥檚 Shandong Province, in 1963, is a professor at Tsinghua University鈥檚 Academy of Arts and Design. He was honored in 2021 with the Vienna International Art Medal 鈥 Outstanding Artist Medal.
An enthusiastic promoter and representative of abstract art in China throughout the 1980s, Gu 鈥渄ives鈥 into and absorbs Chinese traditional culture.
He integrates elements of both Chinese and Western art through unique and various media materials and strong forms of expression, establishing a distinct style that reveals the reconstructive and integrative components of his artistic creativity.
While studying the dress depicted in the pictures of the Han Dynasty (206 BC-AD 220) Mawangdui tombs in 1988, he discovered new possibilities for abstract art language.
During the Han Dynasty, the Chinese people glorified a unified cosmic picture of Heaven, Earth and humanity.
According to traditional Chinese yin-yang philosophy, humans, as the chief among all living beings, are a blend of soul and body, spirit and form. He was drawn to the visual sensations preserved on historical items sealed in the Mangwangdui tombs.
The composition and imagery defined by ancient cosmic and life viewpoints, the Eastern notion of colors and the rich space generated by scattered perspectives all captivated him. Rather than an archeological find, the artist discovered a means to investigate the possibilities of rebuilding modern art challenges using traditional order and an inner sense of reality.
Mawangdui appeared to be a beacon emanating from the depths of history, directing the artist to the neglected world of folk art.
His series entitled 鈥淒oor Gods鈥 is a highlight of the exhibition.
Gu drew inspiration from Lunar New Year鈥檚 prints depicting door gods to create a Chinese esthetic on canvas, resulting in an original and vibrant depiction of door gods.
He interprets the forms of the door gods with audacity, juxtaposing and concealing them with thin and intense hues as well as sharp, intricate lines.
Gu deconstructs and reconstructs the door gods, thereby establishing a one-of-a-kind representation of contemporary symbolic expression.
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