Recording green tiger's first roars
By Chehui Peh |
July 1, 2012, Sunday
|
Print Edition
Print Edition
THE optimistic view of China's environmental movement expressed in "Waking the Green Tiger" surprised even the director of the documentary.
Canadian Gary Marcuse worked with China's prominent environmental activist and filmmaker Shi Lihong for four years to create a film that has won the Grantham Prize Award of Merit for Environmental Journalism and the 2011 Best Canadian Feature Film Award.
With the format of a documentary about a documentary, Marcuse filmed farmers, local activists, journalists and Shi as she took her film "Voice of the Nu River" around communities, and how this title raised awareness.
The story began with the 2004 debate on the proposed construction of a dam on the Nu River in Yunnan, one of the most greatest rivers in China. The area covered would have included the famous Tiger Leaping Gorge.
In an unprecedented outcome, protests by journalists and local activists, among others, brought about new legislation, the Environmental Impact Assessment Law, giving citizens a right to voice objections.
Premier Wen Jiabao also gave instructions that city officials should be cautious when embarking on the project, a big win for the environmentalists.
In the end, the project was put on hold, though there are still calls for the dam to be built.
Comparisons are made with 50 years ago, when the government line was that "man was supposed to conquer nature." Such actions brought about famine in the end, leading to voices in China today calling for the protection, rather than destruction, of nature.
In the film, Shi and journalist-activist Xiao Liangzhao, who tragically died of exhaustion during filming, attempt to convince villagers living along the Nu River that a dam would cause massive environmental harm.
They illustrate this with the example of the disastrous effects of the Mekong River's Manwan dam on villagers who depended on the river and its surrounding farmland for a living.
Villagers from the now relocated Tianba Village paint a heart-wrenching picture - elderly women sifting through garbage recall how they once had land, whereas now "we have nothing."
As well as farmers and prominent figures such as journalists Ma Jun and Liu Jianqing and Chairman of the Committee of Environmental and Nature Resource Conservation Qu Geping, the documentary also features China Central Television coverage of the unfolding story.
However, "Waking the Green Tiger" lacks balance, as supporters of the dam are not featured.
In the end, this is a tribute to efforts to those who sought to protect the homelands of little-known groups, and whose efforts led to a shift in public opinion the film describes as "the beginning of an environmental movement that can transform China."
Interview with the Director
"Waking the Green Tiger" is named after the "tiger energy" released by the spirit of the environmental movement in China, explains Canadian director Gary Marcuse.
The filmmaker was confident that beautiful Yunnan Province in southwest China would provide a subject when he first went there in 2004, and was rewarded over the next four years with a surprisingly optimistic story about China's green movement.
"I went into shooting without a story in mind, but halfway through, the story came to me, its results surprising everyone - even myself.
"Many people have told me they had not heard this story, and as a director, my job is to take lesser-known stories, and make them understandable to all audiences."
Marcuse went into filmmaking as he was unsatisfied with what he could achieve in his previous career in radio journalism. "It was easy to report on a problem, but difficult to find a solution. I had watched a lot of good documentaries that created magic, and with my background in fine art and environmental studies, I took my personal passion and went into filmmaking."
Today, Marcuse is a prominent environmental filmmaker, with "Waking the Green Tiger," his third documentary focusing on the global environmental movement. He previously documented greens in North America and Russia.
"I knew these things were happening, and I wanted to find the stories of others involved. China has seen great change from the 1990s, and I wanted to begin the story with Tiger Leaping Gorge, which first ignited action."
Marcuse's idea of filming co-director Shi Liping at work came as a sudden inspiration. "I realized I had a subject I could work with standing right next to me, and she was already famous on the ground for her documentary on the Nu River," he explained.
His film then changed course and began documenting a documentary and its effects on the local community, giving rise to activism unprecedented in the history of Chinese environmentalism. Back home in British Columbia, Canada, Marcuse has been praised for "challenging for change" with his film.
"Dams have long been in the green power dialogue, but the costs are always forgotten. I wanted to show the movement journalists unleashed, and not the story of the damage caused, as that been widely covered."
The film has been screened in many film festivals, including ones in the United States, Canada, New Zealand and Brazil - itself facing dam controversies. Each time, the reaction is the same, Marcuse says. "People tell me, 'I didn't know that.'"
"The core strength of documentaries is that it reaches across boundaries, and it allows people to see the issue and story for themselves," says Marcuse.
Canadian Gary Marcuse worked with China's prominent environmental activist and filmmaker Shi Lihong for four years to create a film that has won the Grantham Prize Award of Merit for Environmental Journalism and the 2011 Best Canadian Feature Film Award.
With the format of a documentary about a documentary, Marcuse filmed farmers, local activists, journalists and Shi as she took her film "Voice of the Nu River" around communities, and how this title raised awareness.
The story began with the 2004 debate on the proposed construction of a dam on the Nu River in Yunnan, one of the most greatest rivers in China. The area covered would have included the famous Tiger Leaping Gorge.
In an unprecedented outcome, protests by journalists and local activists, among others, brought about new legislation, the Environmental Impact Assessment Law, giving citizens a right to voice objections.
Premier Wen Jiabao also gave instructions that city officials should be cautious when embarking on the project, a big win for the environmentalists.
In the end, the project was put on hold, though there are still calls for the dam to be built.
Comparisons are made with 50 years ago, when the government line was that "man was supposed to conquer nature." Such actions brought about famine in the end, leading to voices in China today calling for the protection, rather than destruction, of nature.
In the film, Shi and journalist-activist Xiao Liangzhao, who tragically died of exhaustion during filming, attempt to convince villagers living along the Nu River that a dam would cause massive environmental harm.
They illustrate this with the example of the disastrous effects of the Mekong River's Manwan dam on villagers who depended on the river and its surrounding farmland for a living.
Villagers from the now relocated Tianba Village paint a heart-wrenching picture - elderly women sifting through garbage recall how they once had land, whereas now "we have nothing."
As well as farmers and prominent figures such as journalists Ma Jun and Liu Jianqing and Chairman of the Committee of Environmental and Nature Resource Conservation Qu Geping, the documentary also features China Central Television coverage of the unfolding story.
However, "Waking the Green Tiger" lacks balance, as supporters of the dam are not featured.
In the end, this is a tribute to efforts to those who sought to protect the homelands of little-known groups, and whose efforts led to a shift in public opinion the film describes as "the beginning of an environmental movement that can transform China."
Interview with the Director
"Waking the Green Tiger" is named after the "tiger energy" released by the spirit of the environmental movement in China, explains Canadian director Gary Marcuse.
The filmmaker was confident that beautiful Yunnan Province in southwest China would provide a subject when he first went there in 2004, and was rewarded over the next four years with a surprisingly optimistic story about China's green movement.
"I went into shooting without a story in mind, but halfway through, the story came to me, its results surprising everyone - even myself.
"Many people have told me they had not heard this story, and as a director, my job is to take lesser-known stories, and make them understandable to all audiences."
Marcuse went into filmmaking as he was unsatisfied with what he could achieve in his previous career in radio journalism. "It was easy to report on a problem, but difficult to find a solution. I had watched a lot of good documentaries that created magic, and with my background in fine art and environmental studies, I took my personal passion and went into filmmaking."
Today, Marcuse is a prominent environmental filmmaker, with "Waking the Green Tiger," his third documentary focusing on the global environmental movement. He previously documented greens in North America and Russia.
"I knew these things were happening, and I wanted to find the stories of others involved. China has seen great change from the 1990s, and I wanted to begin the story with Tiger Leaping Gorge, which first ignited action."
Marcuse's idea of filming co-director Shi Liping at work came as a sudden inspiration. "I realized I had a subject I could work with standing right next to me, and she was already famous on the ground for her documentary on the Nu River," he explained.
His film then changed course and began documenting a documentary and its effects on the local community, giving rise to activism unprecedented in the history of Chinese environmentalism. Back home in British Columbia, Canada, Marcuse has been praised for "challenging for change" with his film.
"Dams have long been in the green power dialogue, but the costs are always forgotten. I wanted to show the movement journalists unleashed, and not the story of the damage caused, as that been widely covered."
The film has been screened in many film festivals, including ones in the United States, Canada, New Zealand and Brazil - itself facing dam controversies. Each time, the reaction is the same, Marcuse says. "People tell me, 'I didn't know that.'"
"The core strength of documentaries is that it reaches across boundaries, and it allows people to see the issue and story for themselves," says Marcuse.
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