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True story of Nazi resistance on screen
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EMMA Thompson and Brendan Gleeson on Monday presented “Alone in Berlin” in which they play a real-life couple who resisted the Nazis — saying they hope the film will help buck a rising tide of intolerance in Europe.
The film, which got a mixed reception at a press preview ahead of a gala premiere at the Berlin film festival, is an adaptation of Hans Fallada’s 1947 book, the most widely read German anti-Nazi novel after the war.
It tells the story of Anna and Otto Quangel, a working-class Berlin couple whose only son is killed in battle.
Their grief drives them to begin drafting seditious postcards against the Nazi “war machine” which they leave in secret in stairwells and foyers in the hope it will drive popular resistance to Hitler.
The Quangels and those who discover the cards know that being caught with them would mean certain death, and as the treasonous propaganda turns up across the city, the Gestapo launches a manhunt for the campaign’s instigators.
Thompson, a two-time Oscar winner, and she found inspiration the couple’s enormous courage in standing up for human decency.
“This movie is about being brave, saying things that are not popular,” she said.
“I live in Europe... and the sense of people turning their backs on people who need help — not being able to say the truth, not being able to say what you feel — I think is very current at the moment.”
Irish actor Gleeson said the couple’s choice to maintain their honor in a brutal society set a powerful example.
“What is unusual about this film and the novel before it and the story of these two people is that there was nothing particularly remarkable about them in their lives, other than living at a time of great horror.”
“Even if in practical terms they didn’t start a revolution, the idea of a personal, an ordinary, refusal to go along with the policy of hatred I think is a massive thing.”
“Alone in Berlin” was long a primarily German cultural phenomenon, taught in schools and adapted for the stage, television and the cinema.
But the 2009 publication of an English translation of the book turned it into a global bestseller, which Swiss director Vincent Perez said had been decisive in getting the financing to make the movie.
The 90-minute film, however, strips out much of the local color and minor characters that made the novel such an indelible portrait of life under the Third Reich.
It met with a smattering of boos and polite applause at a packed screening, with many reporters questioning the decision to film a German story in often stilted English.
“I think the subject itself is so powerful that making it in English was the best decision ...because we don’t tell a story only for the Germans.”
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