First-edition Japanese prints on view
Print Edition
POLISH-FRENCH art enthusiast Jerzy Leskowicz is obsessed with first-edition Japanese woodblock prints.
Part of that collection goes on display this weekend in Poland at the National Museum in Warsaw, where visitors can also admire Utagawa Hiroshige’s “A Sudden Shower over the Ohashi Bridge and Atake”, a favorite of 19th-century Dutch artist Vincent Van Gogh.
“Virtually all of Van Gogh’s landscapes were inspired by Hiroshige,” said the 71-year-old Leskowicz, who sports a white moustache and made his fortune in real-estate.
“Van Gogh copied Japanese prints and he even tried to reproduce the signatures on them,” added exhibition curator Anna Katarzyna Maleszko.
Leskowicz is particularly proud of owning first edition prints of the entire series “The Sixty-Nine Stations of Kisokaido” by Hiroshige and Keisai Eisen.
The series includes stunning landscapes and scenes of everyday life featuring merchants, peasants and noblemen from 19th-century Japan.
“This is an extraordinary series where you have the first signatures and all the first editions of these prints,” Leskowicz said.
“It was presented in Japan in the early 2000s and then in the United States, and it is the first time it has been presented in Europe,” he said.
Leskowicz’s collection numbers some 2,000 items, of which more than half are first-edition prints.
The polychrome “pictures of the floating world,” or “ukiyo-e” in Japanese, were the pop art of their day, produced for the general public and depicting beautiful women and kabuki theater actors but also nature and scenes from Japanese history.
Once they made their way to Europe near the end of the 19th century, the traditional prints featuring solid colors and novel use of perspective and composition took the continent by storm.
Around 300 prints from Leskowicz’s collection, shown to the public for the first time, will be on display in Warsaw until May 7.
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