Ashmolean museum ready after face-lift
Source: Agencies |
November 8, 2009, Sunday
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Print Edition
Print Edition
T.E. Lawrence's Arab dress, an entire Japanese tea house and the best Aegean history collection outside Greece were expected to be star exhibits when Britain's oldest public museum re-opened yesterday.
The Ashmolean Museum in Oxford opened its doors after a multimillion pound renovation, which has seen the museum closed to the public for the last 10 months.
The refurbished Ashmolean comprises 39 new galleries, including four temporary exhibition galleries, a new education center and state-of-the art conservation studios.
The building, designed by award-winning Rick Mather Architects, not only doubled the Ashmolean's display space, but also offered the opportunity to completely redesign the presentation of the museum's artifacts.
"From the outset, our ambition has been to create not just an improved and expanded version of Britain's oldest public museum, but something significantly different in kind: a new way of showcasing the Ashmolean's remarkable collections, for the benefit of the widest possible audience," said Christopher Brown, director of the Ashmolean.
The Ashmolean has called its display strategy "Crossing Cultures Crossing Time," and says it is based on the idea that the civilizations which shaped our modern societies developed as part of an interrelated world culture, rather than in isolation.
Thematic galleries connect activities and objects common to different cultures, such as money, reading and writing.
Project Director Henry Kim said: "Now the quality of the architecture finally matches the quality of the collections."
The Ashmolean Museum in Oxford opened its doors after a multimillion pound renovation, which has seen the museum closed to the public for the last 10 months.
The refurbished Ashmolean comprises 39 new galleries, including four temporary exhibition galleries, a new education center and state-of-the art conservation studios.
The building, designed by award-winning Rick Mather Architects, not only doubled the Ashmolean's display space, but also offered the opportunity to completely redesign the presentation of the museum's artifacts.
"From the outset, our ambition has been to create not just an improved and expanded version of Britain's oldest public museum, but something significantly different in kind: a new way of showcasing the Ashmolean's remarkable collections, for the benefit of the widest possible audience," said Christopher Brown, director of the Ashmolean.
The Ashmolean has called its display strategy "Crossing Cultures Crossing Time," and says it is based on the idea that the civilizations which shaped our modern societies developed as part of an interrelated world culture, rather than in isolation.
Thematic galleries connect activities and objects common to different cultures, such as money, reading and writing.
Project Director Henry Kim said: "Now the quality of the architecture finally matches the quality of the collections."
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