Advanced Search

The story appears on

Page A6

June 28, 2020

GET this page in PDF

Free for subscribers

View shopping cart

Related News

Home » Sunday

Dylan’s ‘Rough and Rowdy Ways’

By Peter Hutchison | 00:05 UTC+8 June 28, 2020 | Print Edition

US folk and rock legend Bob Dylan released his first album of original songs in eight years recently with the 10-track “Rough and Rowdy Ways.”

Dylan’s 39th studio album, which comes 58 years after his first, features a 17-minute ballad about the assassination of John F Kennedy, as well as a tribute to American electric bluesman Jimmy Reed.

“Rough and Rowdy Ways” is the Nobel winner’s first collection of new material since “Tempest” in 2012, although he has released a number of cover albums in the interim.

It sees Dylan mix gritty blues with folksy storytelling, his signature raspy voice delivering lyrics that switch between bleakly haunting and darkly humorous.

At times he sounds warm, at other times scathing.

In the album’s opening song “I Contain Multitudes,” the 79-year-old grapples with mortality.

He starts by singing tenderly, “Today and tomorrow and yesterday too/The flowers are dying like all things do.”

Later he sings: “I sleep with life and death in the same bed.”

Dylan was asked about the lyrics in a recent interview with The New York Times, his first since he won the Nobel Prize for Literature in 2016.

“I think about the death of the human race. The long strange trip of the naked ape,” he said.

“Not to be light on it, but everybody’s life is so transient. Every human being, no matter how strong or mighty, is frail when it comes to death. I think about it in general terms, not in a personal way.”

The songs run through 20th century pop culture, touch on myths and refer to historical and fictional figures — some light, others tragic.

In “I Contain Multitudes,” Dylan cites Indiana Jones, Anne Frank and the Rolling Stones in the same verse.

“Murder Most Foul,” first revealed in March, retells the shooting of President Kennedy in Dallas, Texas while describing the evolution of 1960s counterculture.

The song, which rose to the top of the Billboard chart, is packed with artist name-drops including the Eagles, Charlie Parker, Stevie Nicks, Woodstock and The Beatles.

Dylan — some of whose most-loved songs from the 1960s and 1970s addressed police brutality and racism, such as “Hurricane” — also mentions the Tulsa race massacre of 1921.

The “Birdman of Alcatraz,” a convicted murderer who became a respected ornithologist raising birds in prison, gets a mention, too.

Recounting Kennedy’s slaying, Dylan sings: “We’re gonna kill you with hatred, without any respect/We’ll mock you and shock you and we’ll put it in your face/We’ve already got someone here to take your place.”

In “False Prophet,” the album’s six-minute second track, Dylan sounds cocky and unapologetic as he addresses his own mythology.

“I ain’t no false prophet/I just said what I said/I’m just here to bring vengeance on somebody’s head,” he sings over a slow blues riff.

British music magazine NME called the album “arguably his grandest poetic statement yet.”

In a review on its website, critic Mark Beaumont wrote “Rough? Perhaps, but it certainly has the warmth and lustre of the intimate and home-made.”

Rolling Stone magazine hailed it an “absolute classic,” calling it one of Dylan’s “most timely albums ever.”

“As Dylan pushes 80, his creative vitality remains startling — and a little frightening,” wrote critic Rob Sheffield.

Despite his years, Dylan, awarded the Presidential Medal of Freedom from Barack Obama in 2012, has toured almost non-stop for the past three decades.

The coronavirus crisis forced him to cancel a string of dates in Japan and North America this spring and summer, but he has promised to be back on the road as soon as it’s safe to do so.

Sunday


 

Copyright © 1999- Shanghai Daily. All rights reserved.Preferably viewed with Internet Explorer 8 or newer browsers.

沪公网安备 31010602000204号

Email this to your friend