鈥楾he Kings鈥 relives a magical era in boxing
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The Superdome in New Orleans was packed, and the buzz carried across the nation. The 1980s was dawning and Sugar Ray Leonard had some unfinished business to resolve with Roberto Duran, who had beaten him in a brutal fight months earlier.
As the fighters waited in the ring, Ray Charles belted out a stirring version of 鈥淎merica the Beautiful.鈥 If Leonard needed any further motivation 鈥 and he didn鈥檛 鈥 he now carried a country on his back.
鈥淚 glanced over at Duran and said, 鈥楤oy, you鈥檙e in trouble. This is America, baby,鈥欌 Leonard said.
Duran was indeed in trouble, in ways that were unimaginable before the fight. The Panamanian great would go on to quit in the eighth round in what became known as the infamous 鈥淣o Mas鈥 fight.
But there would indeed be more 鈥 much more 鈥 as Leonard, Duran, Thomas Hearns and Marvelous Marvin Hagler embarked on a series of fights now regarded as the last golden age in boxing.
Under the stars in Las Vegas they fought each other for millions of dollars and the bragging rights to be one of the greats of all time. Fight after fight, they raised the bar until finally the decade closed 鈥 and with it one of the most remarkable stretches of championship fights.
Two of the fights 鈥 Hagler-Hearns and Hearns-Leonard 鈥 are considered by many in boxing to be two of the greatest fights ever. The other fights weren鈥檛 too shabby, either, including Leonard鈥檚 upset of Hagler for the middleweight title in 1987.
They鈥檙e all relived in most of their glory in a four-part documentary called 鈥淭he Kings鈥 that begins on Showtime tonight. Like the fights, the film covers the decade of boxing when four of the greatest fighters in history met each other for belts ranging from 147 to 168 pounds (66.67 to 76.2 kilograms).
Boxing fans are familiar with the story, but it is brought to life again with video clips from the time that showcase what a special time it was.
鈥淪ugar Ray Leonard is a marvelous fighter,鈥 Johnny Carson says to Hagler in a clip from the 鈥淭onight Show.鈥
鈥淣o, I鈥檓 Marvelous,鈥 the Marvelous one replied.
鈥淲hatever you say,鈥 Carson responds, laughing.
Duran and Hearns are the only current interviews on the documentary, and the filmmakers had to use subtitles so viewers could understand Hearns. He slurs his words badly, a reminder of the price that can be paid in the ring.
It mostly works, largely because researchers did their jobs and found video that help tell the story.
Unfortunately, the filmmakers fall into the usual trap of using boxing as a metaphor for the times, with the obligatory clips of Jimmy Carter in a sweater, gas lines and people using food stamps to get groceries.
At one point, a building is seen being demolished in Hearns鈥 hometown of Detroit and we hear that 鈥渢hey were knocking down buildings. Tommy was knocking down opponents.鈥
And there are so many clips of Ronald Reagan making speeches that at times it seems as much a Reagan documentary as it is a fight film.
Still, the boxing is compelling, and so are the fighters.
You can almost picture the hedonistic 1980s when Leonard talks in old clips of spending US$4 million on cocaine, while Duran blames his knockout loss to Hearns in 1984 on booze and two women he hooked up with while training in Miami.
And then there鈥檚 promoter Bob Arum talking about the difference in private jets as Hagler and Hearns crisscrossed the country to promote their epic 1985 fight. While Hagler鈥檚 plane was buttoned up, the party was always ongoing on the Hearns jet.
鈥淭hat was the Detroit plane, the ghetto plane,鈥 Arum said. 鈥淭hat plane was a lot of fun.鈥
The personalities of the fighters shine throughout, making it easier for those who weren鈥檛 around at the time to understand the attraction they held to the public.
Leonard was the superstar with a dazzling smile who could be all smoothness in the ring but cold and vicious when needed.
Hagler was the workingman鈥檚 fighter from Brockton, Massachusetts, with a chip on his shoulder. He wasn鈥檛 flashy but he was both relentless and slick 鈥 and he could punch a bit, too. If the four Kings were the Beatles, the excellent writer and announcer Larry Merchant said, Hagler would be Ringo.
Duran was, well, Duran, a Panamanian hero who fought relentlessly, always moving forward 鈥 until the night Hearns caught him with his vaunted right hand outdoors at Caesars Palace.
Hearns was the foil for them all, the ghetto kid who overcame it all with fearsome punching power that could turn a fight round with one punch.
Hagler died this year, making the timing of the documentary bittersweet. Hearns is difficult to understand, and there鈥檚 nothing new offered about Leonard. Duran might be the most compelling, if only because he鈥檚 so honest about his bad habits and his thoughts in the ring.
As someone who was ringside for all but the Leonard-Duran bouts I can vouch for the fights and the era.
It was a magical time that we all thought would go on forever, with the greats fighting the greats at the lower weights and Mike Tyson knocking everyone out at heavyweight.
It didn鈥檛 quite turn out that way, which makes the decade so special. Boxing was a mainstream sport before greed and incompetence turned it into a niche sideshow populated mostly by a base of hardcore fans.
Decades later, the kings still hold the crown.
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